THE TASTE OF RICE FLOWER

Thetasteofriceflower%2B1408%2B1006.jpg
210818_Rice+flower_INT_F_textless_51+ST_422HQ.mov_004813.413.png
210818_Rice+flower_INT_F_textless_51+ST_422HQ.mov_005929.912.png
210818_Rice+flower_INT_F_textless_51+ST_422HQ.mov_013730.654.png
still+5.jpeg
Thetasteofriceflower%2B1408%2B1006.jpg
210818_Rice+flower_INT_F_textless_51+ST_422HQ.mov_004813.413.png
210818_Rice+flower_INT_F_textless_51+ST_422HQ.mov_005929.912.png
210818_Rice+flower_INT_F_textless_51+ST_422HQ.mov_013730.654.png
still+5.jpeg

THE TASTE OF RICE FLOWER

from $349.00
License:
Format:
PURCHASE

The Taste Of Rice Flower

米花之味

Director: Pengfei Song, Writer: Pengfei Song, Ze Ying, Producer: Rebecca Ho, Cast: Yefei Bao, Honglin Cha, Yayun Deng, Qifang Feng, Jizhe Guo

A young single mother of Dai minority named Ye Nan returns from Shanghai to her scenic home village at Sino-Burmese border. She tries to assimilate back into her clan and make amends for the tense relationship between her and her daughter, Nan Hang. During one of their quarrels, the rebellious teenage girl rants questions about why one must relocate to cities to compete for the best colleges and jobs rather than stay in their countryside ancestral homes and farm for a living. Reflecting on a series of setbacks, Ye Nan gradually gives in to learning about Nan Hang’s life instead of disciplining her. After Nan Hang’s partner-in-crime schoolfriend who’s also a left-behind child passes away from untreated illness, the villagers believe they’re influenced by a devil and decide to perform a ritual to worship the local stone Buddha. As they dance outside the 250-million-year-old karst cave temple, whose gate is closed for non-business hours, a plane flies across the sky above them, and Ye Nan sees an opportunity to reconcile with her daughter.  

FILM FESTIVAL AND AWARDS

Venice Film Festival Asian Pacific Screen Awards

New Era Film Festival Vesoul Asian Film Festival

Chinese Film Media Awards Pingyao International Film Festival

“…isolation, miscommunication, and mysterious moments of grace abound in a China characterized by ceaseless conflict between tradition and modernity. Beautiful, wise and lyrically resonant, “The Taste of Rice Flower” is rigorously unsentimental, but its heart is bright with life, like a swooning dance of devotion performed in a limestone cave; like a butterfly held in a light, firm grasp.”

— Jessica Kiang, Variety

“flows like a cool mountain stream…highlights ethnic diversity and addresses the social costs of urban migration (i.e. “left-behind children”)...touching upon the theme of China’s urban-rural divide, “The Taste of Rice Flower” is a rather unique member of the genre. Much like the Dai people it portrays, it is an embodiment of syncretism — of social issues, artistic purity, and the natural splendor of its frontier environment.”

— Anthony Kao, Cinema Escapist

“beautiful, bittersweet, astute and agreeable.Taste of Rice Flower doesn’t offer sloppy moral judgments and hackneyed melodrama. Refusing to cede ground to convenient exoticism, Pengfei acknowledges the hybrid culture and values emerging out of communities where traditions and technology clash — a collision illustrated often to deadpan but undoubtedly hilarious effect.”

— Clarence Tsui, Hollywood Reporter

“Pengfei embroiders local folklore, rituals and myths into the story of a mother’s attempt to reconcile, without fetishizing it.”

— Martin Kudlac, Screen Anarchy

“a simple parable but never drifts into melodrama or cliche…The humour is often subtle but effective, and Liao Pen-jung’s ravishing visuals find beauty in everyday life in a thoughtful and subtle insight into contemporary China.”

— Meredith Taylor, Filmuforia

“a meaningful, entertaining, and very beautiful film that manages to present a number of very serious topics through an enjoyable perspective that makes the film quite approachable”

— Panos Kotzathanasis, Asian Movie Pulse

“A lyrical interrogation about the social price of China’s economic miracle told through the relationship between a mother and her daughter.”

— Colette Balmain, Easternkicks

Available License Types:

Public Performance Rights (PPR)

The license allows an organization to hold screenings of the film on its own grounds, to groups of no more than 50 people, and where no admission is charged.

(For screenings that charge admission and or with an audience of more than 50 people, please send booking inquiries to info@chengchengfilm.com)

Digital Site License (DSL)

The License allows an organization to provide digital streaming on a password protected server only to registered students, members, researchers, faculty and staff.

Available Formats:

Digital File

High Quality 1080p mp4 file

Subtitles/Closed Captions: English

Spoken Languages: Mandarin

Not Rated, Aspect Ratio: 1.85:1 (16:9 Widescreen)

Disclaimer: All rights of the producer and of the owner of the work reproduced are reserved. Unauthorized copying, hiring, lending, public performance, radio or TV broadcasting of the disc is prohibited.

Licensed by Cheng Cheng Films. www.chengchengfilm.com